I work with the body, voice, attention and presence as my primary materials. I love improvisation and the moments where you feel that the people on stage and the audience are there together and a scene of magic is touchable, Everyone is important. It is both performance and transformation. Rather than creating characters, I create situations—rituals, walks, ceremonies and gatherings where meaning emerges through relation, place and collective experience. The beginning is always there, but the middle and the end changes all the time.

My acting practice is rooted in embodied presence, voice and relational listening rather than character-driven representation. Ceremony functions as a training ground where attention, timing and collective responsibility are continuously practiced. She of the North develops directly from my previous artistic work with ritual, performance and participation and seeks to articulate a clear ceremonial methodology for acting.

Im currently studying at Stockholm University of The Arts, an International MA in the Art of Acting with an artistic research called She of The North.